Of
an electronic variety, both home made and manufactured, Stain
explores the workings and reverse engineers some of
the internal circuits.
There's
loads of junk out there although this page will concentrate
on odd/rare stuff of interest. Loads of VHSs and DVD
machines were built in the last 20 years or so but because
they're so common and not particularly interesting, these
will not be included.
This piece of junk is the Royal Call all-transistor
tape recorder. You might think that, "This tape
will self-distruct in five seconds. Good luck Jim!"
The basic design is inspired by the Mission Imposible
TV series of the 1970s and no doubt, helped the sale
of many units. However, the actual machine featured
in the programme was a much better precision instrument.
Watch the Youtube demonstration:
Upon first encounter of one of
these, it was owned by a family with connections in
Cyprus. Because phone-calls were quite expensive in
the 70s people overseas recorded greetings to each other,
sent them via the post on birthdays and similar. For
this purpose, it and similar units performed quite well.
Vinyl LPs and 7" singles were also costly and trying
to use one of these for music purposes led to dissapointment.
Because of a headphone out socket, The younger Stain
tried connecting a similar unit a to valve amplifier
and speaker system in a vain attempt at improving fidelity
but it was a complete waste of time and effort.
These tape recorders can be internally
divided up into two: the (1) mechanism and (2)
electronic amplifier. The Royal Call motor is mounted on a rocking
bracket set into place by the yaxley switch behind the
control knob. In this example, the little ball bearing
inside the switch keeps falling out and has frequently
been lost/replaced. In one switch position, the rewind
is activated, centrer position is off. Turned to the
right, the motor rocks and makes contact with the spool
table and the unit is set to playback. In a similar
way that a intercomm works, the switch also reverses
the input/output to the amplifier to either the record
head, speaker and microphone. The push-pull amplifier
is a simple paxoline panel containing a germanium four-transistor
transformer coupled circuit. Close scrutiny of the circuit
board (right) will reveal a black capacitor amongst
all the other grey ones: this is the replacement and
is a 10uF/16v. The original one failed, disabling the
record function. This is a common fault on these units
and the capacitors tend to fail because of the low polarisation
voltage applied to them in this configuration. Electronic
engineers will tell us that electrolytic capacitors
need a polarisation voltage for correct operation. This
capacitor isolates the relevant transistor
stage from the tiny DC voltage driving bias current
applied to the R/P head in record mode, and if it wasn't
there, the DC conditions of the relevant amplifier stage
would be upset. A non-electrolytic capacitor would be
more suitable here, if it was possible to make one small
enough of sufficient capacity.
The Miny (pronounced my-nee) all transistor
tape recorder.
Unlike the Royal Call, the Miny has two motors, one
for each spool table. The record/play amplifier for
both models is a four transistor transformer coupled
germanium unit. Output: about 250mW.